ChatGPT, Answering the Serious Questions

Can you suggest songs that are similar to Rock Lobster?

Certainly! “Rock Lobster” by The B-52’s is a unique and energetic song with a distinct sound. While it’s challenging to find songs that perfectly replicate its style, here are a few suggestions that capture a similar blend of upbeat, quirky, and danceable qualities:

“Love Shack” by The B-52’s: This is another popular song by The B-52’s that features catchy hooks, playful lyrics, and a lively, dance-inducing vibe.

“Whip It” by Devo: Known for their eccentricity and new wave sound, Devo’s “Whip It” carries a similar energy to “Rock Lobster” with its offbeat lyrics and catchy synth-driven rhythm.

“Walking on Sunshine” by Katrina and The Waves: This song shares the same upbeat and infectious spirit as “Rock Lobster.” It’s a feel-good, pop-rock anthem that’s hard to resist singing and dancing along to.

“Once in a Lifetime” by Talking Heads: While stylistically different from “Rock Lobster,” Talking Heads’ “Once in a Lifetime” is a quirky and captivating song that merges elements of new wave, funk, and art rock. It possesses an infectious rhythm and thought-provoking lyrics.

“Weird Science” by Oingo Boingo: As a new wave and alternative rock band, Oingo Boingo offers a similar sense of fun and eccentricity. “Weird Science” embodies their unique sound, blending catchy melodies, synths, and a touch of quirkiness.

“Sledgehammer” by Peter Gabriel: This song is a vibrant fusion of rock, funk, and pop with an infectious groove. It shares a dynamic and lively atmosphere that aligns with the spirit of “Rock Lobster.”

While these songs may not be exact replicas, they capture elements of the energy, quirkiness, and danceable nature found in “Rock Lobster.” Enjoy exploring these suggestions!

Maybe not a great answer, but all of those songs are on my 80’s playlist.

Analog vs. Digital

The popular recording of “Love is a Battlefield,” by Pat Benetar, is almost mono. There’s very little stereo separation or spatialization. When CD’s came out, there was a marketing effort to make digital recording a differentiator to boost sales. I think Michael Jackson’s “Bad” album was the first one to brag that it was a “DDD” album: digitally recorded, mastered, and finalized. The recording, of course, was the last big holdout. But I couldn’t hear any real difference between that album and others released around the same time which were “just” “ADD”. I guess, because at the time of transition, analog tech was mature, and digital was still brand new, and we were comparing the best of a limited technology versus the first production-ready version of the future. I wonder if you could hear any difference now? I’ve noticed several songs lately which have intentional saturation noise in them. Crazy that people are intentionally reinserting analog limitations back into digital recordings. It’s like putting polaroid filters in snapchat.